Night Bus by Ellen Clair Lamb

 

"Night Bus," by Ellen Clair Lamb, in This Time For Sure: Bouchercon Anthology 2021, edited by Hank Phillippi Ryan,  Down & Out Books, 2021. 

The writing advice for decades has been: Start as far along in the action as you can.  If backstory is necessary, you can fill it in after drawing the reader into the story.  One result  of that is that a lot of the time the mystery is not "Who done it?" but "What was done?"  

Jodie is getting on a bus late at night and she wants to be left alone. Unfortunately the last seat open is next to a chipper old lady who is eager to chat.  Her name is Barbara and she is observant, too observant for Jodie's liking because Jodie has a secret to keep.  And that secret - what was done? - will keep you turning pages.  

Just like last week (and from the same book) it is the last sentence that made this story my favorite.  Very clever tale.

Providence, by Clark Boyd

 "Providence," by Clark Boyd, in This Time For Sure, edited by Hank Phillippi Ryan, edited by Down and Out, 2021. 

Xavier has job satisfaction problems.  He's a hitman for One Shot Valenti and he doesn't feel a lot of job security.  This is a business where getting laid off involves ceasing to breath.

Our hero has an interesting view of the world.  Here he is watching a baseball game: "[W]hen there’s a conference on the mound, I amuse myself by pretending, aloud, that they’re discussing existentialist philosophy. “Coach, I can get this guy. Take a leap of faith.” “But Pedro, did the great Dane not also say, ‘The specific character of despair is precisely this: it is unaware of being despair?’ Now hand me the goddamn ball."

Honestly I didn't find the plot all that convincing, but the characters are dialog are more than worth the ride.

 

Camberwell Crackers, by Anthony Horowitz

  "Camberwell Crackers," by Anthony Horowitz, in California Schemin', edited by Art Taylor, Wildside Press, 2020.

This is a very silly story.  That's certainly not a demerit as far as I'm concerned.  More problematic for some readers might be that the subject is Christmas crackers, a British holiday custom which, like pantomimes, has never really caught on on this side of the pond (south of the Great Lakes at least).

Camberwell Crackers is a long-established family company that manufactures these novelties.  It seems a very cheerful place to work.  But a man named Osborne was planning to take over the company, and now he has been murdered.  The inexperienced Detective Inspector is hoping to make his reputation by solving the crime, but he can't seem to make sense of the clues.  And, oh, there are clues...

I think I'll stop there.

 

Tell Him No, by Scott Turow

 

"Tell Him No," by Scott Turow, in California Schemin', edited by Art Taylor, Wildside Press, 2020.

What kind of work can an 81-year-old private eye do?  Running and fist-fighting seem to be out of the question.  High-tech is a non-starter.  

But one thing an old dude can do easily is be ignored.  And that's a very good thing for surveillance.

Tim Brodie, ex-cop, is following Dykstra, a man who wants to sell his business to Tim's employer.  Listening in on his conversations turns out to be easy because Dykstra "was the kind who thought they'd invented the cellphone so everyone in the vicinity would know he was important."  Boy, do I know that guy.  

It's fun watching Brodie watching his target, and then learning what he figured out, and how his boss could use it.  An entertaining tale.

Burnt Orange, by Shawn Reilly Simmons

"Burnt Orange," by Shawn Reilly Simmons, in Passport to Murder, edited by John McFetridge, Down and Out Books, 2017.

This is Simmons' second appearance in this blog.  "Burnt Orange" is a fresh tale, by which I mean it went in directions I did not expect at all.
 
Shelby is a teenager with a problem.  She likes to burn things.

Her mother is driving her to a reform school.  Her mother, by the way, is a narcissist and a bit of a fabulist, which is no doubt is connected to the roots of Shelby's problems.  

So I was expecting a story about a troubled kid, and I suppose in a way that's what I got.

But there are worse people out there than Shelby and her mother, and folks with worse problems.  And if Shelby thinks fast enough she may be able to save a few lives.  She may even get to use her, well, special talents to do it.

A clever tale.

The Hit-Man, by Roger Angle

"The Hit-Man," by Roger Angle, in Murder At The Beach: The Bouchercon Anthology, edited by Dana Cameron, Down & Out Books, 2014.

The good news is that Amanda's little shop in Venice, California is doing well.

The bad news is that some bad guys want to buy her building at a fraction of its worth.

The good news is that her father is a hit-man with an arsenal in his car trunk, all ready to wreak havoc on her enemies.

The bad news is that he's actually a retired hit-man, half-blind, limping, and his hearing isn't so good either.

The good news is that he remains determined to do anything necessary for his little girl.

And that's also the bad news...

Very funny story.